Boxer Tommy Nelson is accused of killing his manager. While detectives Bud and Lou investigate they come across an invisibility formula with which Tommy injects himself rather than face the police. This sparks an idea for trapping gangster Morgan by having Lou fight champ Rocky Hanlon, with Tommy’s invisible help.

Based on the true story of Joseph Merrick, a 19th-century Englishman afflicted with a disfiguring congenital disease. With the help of kindly Dr. Frederick Treves, Merrick attempts to regain the dignity he lost after years spent as a side-show freak.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

Roger Ferris uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.

Gloria (Jane Fonda) is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. Fantasizing about movies, she sees herself as an actress and decides to head for Hollywood, having got the idea from a movie magazine while recuperating in the hospital from a suicide attempt which resulted from another unhappy love affair. Robert (Michael Sarrazin), a desperate Hollywood citizen unsuccessfully trying to become a director, never doubting that he’ll eventually make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria’s already weakened spirit, and she tells Robert that she’d be better off dead, that her life is hopeless - all the while acting cruel and bitter, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don’t they?

Baron Manfred von Richthofen (Schweighöfer) is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte (Headey), Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again.

Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court: to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer.

Lucas Marsh (Robert Mitchum), an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina (Olivia de Havilland), not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren (Gloria Grahame) and the patience of the long-sorrowing Kristina wears thin. She reasons he no longer needs her and asks for a divorce. A calamity now brings Marsh to his senses. Dr. Runkleman (Charles Bickford), Marsh’s gruff and wise employer, is stricken with a heart attack and requires emergency surgery. Marsh is forced to operate.

Cal Trask is a particularly unhappy young man. He sees himself as the black sheep of the family and is always competing with his brother Aron, who seems to be perfect in almost every way. Aron is also their father’s favorite and Cal desperately wants his father’s love and affection. It’s the period leading up to America’s entry into World War I and these are tumultuous times. After his father loses most of his fortune trying to ship refrigerated lettuce to New York, Cal decides to speculate on a crop of beans and makes a small fortune but he soon realizes that he can’t buy his father’s loves either. Cal’s discovery that his mother is alive - he and Aron were told that she had died - and that she is a madam leads to a final, tragic result for all three of the Trask men.

When Dr. Hugo Robbin’s laboratory is blown up, his nurse Ann Loring is charged with murdering the doctor. During her trial, a group of children continually disrupts the courtroom, claiming to have important evidence. The children are finally allowed to testify, but as a result of their testimony, their friend Dan, who runs a repair shop, is now charged with the crime instead of the nurse. The children are now determined to prove Dan’s innocence, and they go to the abandoned laboratory to look for evidence, leading to a series of hazardous adventures.