In Middletown, at 11:14 PM, two cars accidents happen at the same time, affecting the lives of five different groups of people. A drunken driver hits a man in a lonely road near a bridge; three young men hits a woman with a van, one of the passenger has a severed penis while another man on the road shoots them; a young man robs a convenience store, with the support of the clerk; a man finds a body in a cemetery and gets rid off it; and a young woman pretending to be pregnant tries to raise money for an abortion. All of these characters and their fates are very connected.

Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can’t get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too.

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful individuals, each representing a planet in the solar system. These seven, along with the protagonist, the guide and the guide’s assistant, divest themselves of their worldly goods and form a group of nine who will seek out the Holy Mountain, in order to displace the gods who live there and become immortal.

High School Senior Kenny Dantley’s only love in life is cars. For a shop class project, he and his classmates build a Corvette (”Stingray”). The car is a big hit — so big, in fact, that gets stolen! Kenny, having fallen in love with the car, sets out on a summer-long adventure in Las Vegas to find it. Along the way, he meets up with a “hooker-in-training” named “Vanessa” (played by Annie Potts). The two encounter danger and romance as they try to steal back the Stingray.

Luther Whitney is a professional thief, who only works occasionally. He is planning what is suppose to be his last job, and everything is going smoothly until some come in before he can leave. He hides in a secret room and from behind a one-way mirror sees that it’s the wife of the owner of the house he is robbing and another man. They are fooling around when the guy decides to liven things up by striking her, she get away but he corners her, she then grabs a letter opener and is about to stab him when he cries out for help when two men come in and shoot her dead. It seems that the man is Alan Richmond, the President of the United States and the two men are the secret service agents assigned to him. Later, a woman, Gloria Russell, who is his Chief of Staff enters and upon learning of what has happened, decides to cover it up and make it appear that she was killed by a burglar. After sanitizing the room, they are about to leave but they forget the letter opener, Whitney comes out of the room and takes it and makes his getaway but when they returned for the letter opener they discover Whitney and chase him but he gets away. The police investigate the murder and there are so many inconsistencies, which makes the investigator, Seth Frank suspect that something is going on. Frank then discovers that Whitney is a possible suspect but the only thing is that he doesn’t believe that Whitney is a killer. Whitney tries to leave town but when he learns just how corrupt and amoral Richmond is he decides to play mind games with him and the others. Richmond, at the same time, tells them that Whitney must be silenced permanently.

Denis Leary plays an unfortunate cat burglar, who is abandonded by his partner in the middle of a heist, and is forced to take an irritating Connecticut couple (Kevin Spacey, Judy Davis) hostage. He soon finds that he took more than he bargained for when the couple’s blackmailing son and despicable in-laws step into the picture. Before long they’re driving him nuts with their petty bickering and family problems. The only way for him to survive is to be their referee and resolve their differences, before he can be nabbed by the police.

Brendan Behan, a sixteen year-old republican, is going on a bombing mission from Ireland to Liverpool during the second world war. His mission is thwarted when he is apprehended, charged and imprisoned in Borstal, a reform institution for young offenders in East Anglia, England. At Borstal, Brendan is forced to live face-to-face with those he perceived as “the enemy,” a confrontation that reveals a deep inner conflict in the young Brendan and forces a self-examination that is both traumatic and revealing. Events take an unexpected turn and Brendan is thrown into a complete spin. In the emotional vortex, he finally faces up to the truth.

Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.

As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus’ brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life,” begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.

Bruges, the most well-preserved medieval city in the whole of Belgium, is a welcoming destination for travellers from all over the world. But for hit men Ray and Ken, it could be their final destination; a difficult job has resulted in the pair being ordered right before Christmas by their London boss Harry to go and cool their heels in the storybook Flemish city for a couple of weeks. Very much out of place amidst the gothic architecture, canals, and cobbled streets, the two hit men fill their days living the lives of tourists. Ray, still haunted by the bloodshed in London, hates the place, while Ken, even as he keeps a fatherly eye on Ray’s often profanely funny exploits, finds his mind and soul being expanded by the beauty and serenity of the city. But the longer they stay waiting for Harry’s call, the more surreal their experience becomes, as they find themselves in weird encounters with locals, tourists, violent medieval art, a dwarf American actor shooting a European art film, Dutch prostitutes, and a potential romance for Ray in the form of Chloë, who may have some dark secrets of her own. And when the call from Harry does finally come, Ken and Ray’s vacation becomes a life-and-death struggle of darkly comic proportions and surprisingly emotional consequences.